Deal or no Deal
- BPM
- 125
- Open Key
- 7d
- Energy
- 61/100
- Pop
- 0/100
- Length
- 7:19
- Released
- 2009
- Genre
- Techno
- Loudness
- -14.0 dB
- ISRC
- IE-ASO-09-00001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Deal or no Deal runs 125 BPM in F♯ major (2B), a club-tempo techno record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Mark Broom's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 96% of Mark Broom's catalogue
- Energy:
- calmer than 89% of Mark Broom's catalogue
- Groove:
- less groove-driven than 75% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Deal or no Deal in?
Deal or no Deal by Mark Broom is in F♯ major, or 2B on the Camelot wheel.
What BPM is Deal or no Deal?
Deal or no Deal runs at 125 BPM, a club-tempo track.
What mixes well with Deal or no Deal?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Deal or no Deal good for peak time?
With energy 61 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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