Phentylamine - Frank Ross Remix
- BPM
- 131
- Open Key
- 3m
- Energy
- 26/100
- Pop
- 0/100
- Length
- 6:58
- Released
- 2019
- Album
- Phentylamine
- Genre
- Techno
- Loudness
- -15.2 dB
- ISRC
- GBKQU1901521
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Phentylamineoriginal10A · 130
- Phentylamine - Champas Remixremix4B · 135
- Phentylamine - D.N.S Remixremix1A · 132
- Phentylamine - Eugen Kunz Remixremix3B · 134
- Phentylamine - Roby M Rage Remixremix9B · 130
- Phentylamine - Twins Project Remixremix2B · 130
Against the original (10A at 130 BPM), this version runs 1 BPM faster in the same key.
At 131 BPM in B minor (10A), Phentylamine - Frank Ross Remix is a peak-time tempo techno production. It reads as brooding and low-slung. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 99% of Marco Ginelli's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Marco Ginelli's catalogue
- Groove:
- groovier than 79% of Marco Ginelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Phentylamine - Frank Ross Remix in?
Phentylamine - Frank Ross Remix by Marco Ginelli is in B minor, or 10A on the Camelot wheel.
What BPM is Phentylamine - Frank Ross Remix?
Phentylamine - Frank Ross Remix runs at 131 BPM, a peak-time tempo track.
What mixes well with Phentylamine - Frank Ross Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Phentylamine - Frank Ross Remix good for peak time?
With energy 26 out of 100 at 131 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 131 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
