Resolute - Radio Edit
30s preview
- BPM
- 123
- Open Key
- 8d
- Energy
- 65/100
- Pop
- 32/100
- Length
- 3:35
- Released
- 2018
- Album
- Resolute (Radio Edit)
- Genre
- Techno
- Loudness
- -10.8 dB
- Dynamics
- 9.2 dB
- ISRC
- DEDOD5339504
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in D♭ major (3B), Resolute - Radio Edit is a club-tempo techno production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Slower than 96% of Lilly Palmer's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 94% of Lilly Palmer's catalogue
- Groove:
- groovier than 90% of Lilly Palmer's catalogue
- Low end:
- more bass-heavy than 90% of Lilly Palmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Resolute - Radio Edit in?
Resolute - Radio Edit by Lilly Palmer is in D♭ major, or 3B on the Camelot wheel.
What BPM is Resolute - Radio Edit?
Resolute - Radio Edit runs at 123 BPM, a club-tempo track.
What mixes well with Resolute - Radio Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Resolute - Radio Edit good for peak time?
With energy 65 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Lilly Palmer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
