Sauti - Lee Burridge Remix
30s preview
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 55/100
- Pop
- 0/100
- Length
- 4:00
- Released
- 2025
- Album
- Sauti (Lee Burridge Remix)
- Genre
- Tech House
- Loudness
- -16.2 dB
- Dynamics
- 9.9 dB
- ISRC
- NL8RL2542210
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sauti - Lee Burridge Remix runs 125 BPM in C major (8B), a club-tempo tech house record. Tonally it lands balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Lee Burridge's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- faster than 90% of Lee Burridge's catalogue
- Groove:
- less groove-driven than 90% of Lee Burridge's catalogue
- Brightness:
- brighter than 80% of Lee Burridge's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Sauti - Lee Burridge Remix in?
Sauti - Lee Burridge Remix by Lee Burridge is in C major, or 8B on the Camelot wheel.
What BPM is Sauti - Lee Burridge Remix?
Sauti - Lee Burridge Remix runs at 125 BPM, a club-tempo track.
What mixes well with Sauti - Lee Burridge Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Sauti - Lee Burridge Remix good for peak time?
With energy 55 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Lee Burridge
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
