Changes - Compact Grey Radio Edit
30s preview
- BPM
- 121
- Open Key
- 4m
- Energy
- 78/100
- Pop
- 1/100
- Length
- 3:51
- Released
- 2017
- Album
- Changes (with Hello Machines)
- Genre
- Trance
- Loudness
- -4.8 dB
- Dynamics
- 10.5 dB
- ISRC
- DEL671700112
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Changesoriginal12A · 124
- Changes - Hexlogic Remixremix12A · 115
- Changes - Original Mixoriginal11A · 124
- Changes - Radio Editversion12A · 124
- Changes - Hexlogic Radio Editversion12A · 115
- Changes - Compact Grey Remixremix1A · 121
Against the original (12A at 124 BPM), this version runs 3 BPM slower and moves the key from 12A to 11A.
Changes - Compact Grey Radio Edit is a club-tempo trance track in F♯ minor (11A) at 121 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2017 production that still circulates in sets. Groovier than 97% of Kyau & Albert's catalogue.
- Tempo:
- slower than 95% of Kyau & Albert's catalogue
- Brightness:
- brighter than 95% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Changes - Compact Grey Radio Edit in?
Changes - Compact Grey Radio Edit by Kyau & Albert is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Changes - Compact Grey Radio Edit?
Changes - Compact Grey Radio Edit runs at 121 BPM, a club-tempo track.
What mixes well with Changes - Compact Grey Radio Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Changes - Compact Grey Radio Edit good for peak time?
With energy 78 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 121 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More trance
More from Kyau & Albert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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