Changes - Radio Edit
30s preview
- BPM
- 124
- Open Key
- 5m
- Energy
- 79/100
- Pop
- 1/100
- Length
- 3:13
- Released
- 2017
- Album
- Changes (with Hello Machines)
- Genre
- Trance
- Loudness
- -5.6 dB
- Dynamics
- 10.7 dB
- ISRC
- DEL671700109
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Changesoriginal12A · 124
- Changes - Hexlogic Remixremix12A · 115
- Changes - Compact Grey Radio Editversion11A · 121
- Changes - Original Mixoriginal11A · 124
- Changes - Hexlogic Radio Editversion12A · 115
- Changes - Compact Grey Remixremix1A · 121
Against the original (12A at 124 BPM), this version holds the same tempo in the same key.
Changes - Radio Edit is a club-tempo trance track in D♭ minor (12A) at 124 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Brighter than 93% of Kyau & Albert's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 86% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Changes - Radio Edit in?
Changes - Radio Edit by Kyau & Albert is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Changes - Radio Edit?
Changes - Radio Edit runs at 124 BPM, a club-tempo track.
What mixes well with Changes - Radio Edit?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Changes - Radio Edit good for peak time?
With energy 79 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 124 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More trance
More from Kyau & Albert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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