I'm A Lover Not A Fighter - Live in Germany, 1965
- BPM
- 123
- Open Key
- 3d
- Energy
- 96/100
- Pop
- 0/100
- Length
- 2:03
- Released
- 2020
- Album
- On Air: 1964-1968 (Live)
- Genre
- Techno
- Loudness
- -6.8 dB
- ISRC
- GBLLT2027462
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I'm A Lover Not A Fighter - Live in London 30th October, 1964original11B · 119
- I'm A Lover Not A Fighter - Live in London December 9th, 1964original9A · 122
- I'm a Lover Not a Fighteroriginal10B · 119
Against the original (10B at 119 BPM), this version runs 4 BPM faster in the same key.
I'm A Lover Not A Fighter - Live in Germany, 1965 is a club-tempo techno track in D major (10B) at 123 BPM. It reads as punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. More underground than 99% of Kink's catalogue. In a set it works best as a mid-set roller.
- Energy:
- hotter than 96% of Kink's catalogue
- Groove:
- less groove-driven than 92% of Kink's catalogue
- Brightness:
- darker than 82% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I'm A Lover Not A Fighter - Live in Germany, 1965 in?
I'm A Lover Not A Fighter - Live in Germany, 1965 by Kink is in D major, or 10B on the Camelot wheel.
What BPM is I'm A Lover Not A Fighter - Live in Germany, 1965?
I'm A Lover Not A Fighter - Live in Germany, 1965 runs at 123 BPM, a club-tempo track.
What mixes well with I'm A Lover Not A Fighter - Live in Germany, 1965?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is I'm A Lover Not A Fighter - Live in Germany, 1965 good for peak time?
With energy 96 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
