Play With The Voice - John Digweed & Nick Muir Twisted Vocal Mix
30s preview
- Key
- 5A · C minor
- BPM
- 123
- Open Key
- 10m
- Energy
- 98/100
- Pop
- 17/100
- Length
- 4:00
- Released
- 2021
- Album
- Play With The Voice (John Digweed & Nick Muir Twisted Vocal Mix)
- Genre
- Progressive House
- Loudness
- -5.0 dB
- Dynamics
- 9.2 dB
- ISRC
- NLF712106476
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in C minor (5A), Play With The Voice - John Digweed & Nick Muir Twisted Vocal Mix is a club-tempo progressive house production. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 98% of John Digweed's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 86% of John Digweed's catalogue
- Tempo:
- slower than 76% of John Digweed's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Play With The Voice - John Digweed & Nick Muir Twisted Vocal Mix in?
Play With The Voice - John Digweed & Nick Muir Twisted Vocal Mix by John Digweed is in C minor, or 5A on the Camelot wheel.
What BPM is Play With The Voice - John Digweed & Nick Muir Twisted Vocal Mix?
Play With The Voice - John Digweed & Nick Muir Twisted Vocal Mix runs at 123 BPM, a club-tempo track.
What mixes well with Play With The Voice - John Digweed & Nick Muir Twisted Vocal Mix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Play With The Voice - John Digweed & Nick Muir Twisted Vocal Mix good for peak time?
With energy 98 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 123 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from John Digweed
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
