Here We Go - Framewerk Remix
30s preview
- Key
- 4A · F minor
- BPM
- 123
- Open Key
- 9m
- Energy
- 98/100
- Pop
- 1/100
- Length
- 9:12
- Released
- 2021
- Album
- Here We Go / Where We've Gone
- Genre
- Progressive House
- Loudness
- -5.5 dB
- Dynamics
- 16.0 dB
- ISRC
- DEY472177219
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Here We Gooriginal2B · 123
Against the original (2B at 123 BPM), this version holds the same tempo and moves the key from 2B to 4A.
A club-tempo progressive house cut, Here We Go - Framewerk Remix sits in F minor (4A) at 123 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 16 dB). Hotter than 99% of Jamie Stevens's catalogue.
- Brightness:
- darker than 99% of Jamie Stevens's catalogue
- Low end:
- more treble-tilted than 99% of Jamie Stevens's catalogue
- Groove:
- less groove-driven than 86% of Jamie Stevens's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 30%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Here We Go - Framewerk Remix in?
Here We Go - Framewerk Remix by Jamie Stevens is in F minor, or 4A on the Camelot wheel.
What BPM is Here We Go - Framewerk Remix?
Here We Go - Framewerk Remix runs at 123 BPM, a club-tempo track.
What mixes well with Here We Go - Framewerk Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Here We Go - Framewerk Remix good for peak time?
With energy 98 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 123 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Jamie Stevens
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
