Ssss by Anthony Attalla cover art

30s preview

Key
1B · B major
BPM
123
Open Key
6d
Energy
96/100
Pop
0/100
Length
6:48
Released
2016
Album
Ssss / Tesla / Tripp
Genre
Tech House
Loudness
-8.3 dB
Dynamics
10.2 dB
ISRC
QMPLY1600019

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Ssss sits in B major (1B) at 123 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More underground than 99% of Anthony Attalla's catalogue. In a set it works best as a floor-filler.

Tempo:
slower than 95% of Anthony Attalla's catalogue
Energy:
hotter than 88% of Anthony Attalla's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood52Balanced
Groove77
Acoustic0
Instrumental94
Live8
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Ssss in?

Ssss by Anthony Attalla is in B major, or 1B on the Camelot wheel.

What BPM is Ssss?

Ssss runs at 123 BPM, a club-tempo track.

What mixes well with Ssss?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Ssss good for peak time?

With energy 96 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 123 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Anthony Attalla

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track