So Let the Wind Come (remix)
30s preview
- BPM
- 127
- Open Key
- 8d
- Energy
- 73/100
- Pop
- 4/100
- Length
- 7:06
- Released
- 2005
- Genre
- Deep House
- Loudness
- -10.2 dB
- Dynamics
- 9.1 dB
- ISRC
- USA670602478
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
So Let the Wind Come (remix) is a peak-time tempo deep house track in D♭ major (3B) at 127 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2005 production that still circulates in sets. More bass-heavy than 93% of Kerri Chandler's catalogue.
- Tempo:
- faster than 90% of Kerri Chandler's catalogue
- Brightness:
- darker than 82% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is So Let the Wind Come (remix) in?
So Let the Wind Come (remix) by Kerri Chandler is in D♭ major, or 3B on the Camelot wheel.
What BPM is So Let the Wind Come (remix)?
So Let the Wind Come (remix) runs at 127 BPM, a peak-time tempo track.
What mixes well with So Let the Wind Come (remix)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is So Let the Wind Come (remix) good for peak time?
With energy 73 out of 100 at 127 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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