Trouble in the Redlight District
30s preview
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 73/100
- Pop
- 4/100
- Length
- 7:36
- Released
- 2010
- Genre
- Progressive House
- Loudness
- -6.7 dB
- Dynamics
- 9.6 dB
- ISRC
- CH3131000081
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in G major (9B), Trouble in the Redlight District is a peak-time tempo progressive house production. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. Groovier than 95% of Jerome Isma-Ae's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more bass-heavy than 82% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Trouble in the Redlight District in?
Trouble in the Redlight District by Jerome Isma-Ae is in G major, or 9B on the Camelot wheel.
What BPM is Trouble in the Redlight District?
Trouble in the Redlight District runs at 127 BPM, a peak-time tempo track.
What mixes well with Trouble in the Redlight District?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Trouble in the Redlight District good for peak time?
With energy 73 out of 100 at 127 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More progressive house
More from Jerome Isma-Ae
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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