Too Long by Arapu cover art

Too Long

Arapu

30s preview

Key
9B · G major
BPM
127
Open Key
2d
Energy
74/100
Pop
3/100
Length
11:31
Released
2021
Genre
Minimal
Loudness
-11.4 dB
Dynamics
13.6 dB
ISRC
FRX282222073

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Too Long runs 127 BPM in G major (9B), a peak-time tempo minimal record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Darker than 93% of Arapu's catalogue. For programming, treat it as a floor-filler.

Energy:
hotter than 81% of Arapu's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood21Dark
Groove81
Acoustic0
Instrumental86
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Too Long in?

Too Long by Arapu is in G major, or 9B on the Camelot wheel.

What BPM is Too Long?

Too Long runs at 127 BPM, a peak-time tempo track.

What mixes well with Too Long?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Too Long good for peak time?

With energy 74 out of 100 at 127 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#Track

More minimal

#Track

More from Arapu

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track