Rain - New Old School Dub
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 83/100
- Pop
- 2/100
- Length
- 8:00
- Released
- 2010
- Album
- Rain
- Genre
- Deep House
- Loudness
- -10.9 dB
- Dynamics
- 17.6 dB
- ISRC
- USNRS0925914
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rain - Mood EP Versionoriginal2B · 125
- Rain - Original Mixoriginal2B · 125
- Rain - Dense & Pika Remixremix3B · 126
- Rain - Atjazz Remixremix10B · 124
- Rain - (Vocal Remix) [Harry Romero Edit]remix3A · 125
- Rain - Original Mixoriginal2B · 125
Against the original (2B at 125 BPM), this version holds the same tempo and moves the key from 2B to 3A.
Rain - New Old School Dub: club-tempo deep house, B♭ minor (3A), 125 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 2010 production that still circulates in sets. More treble-tilted than 93% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 79% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Rain - New Old School Dub in?
Rain - New Old School Dub by Kerri Chandler is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Rain - New Old School Dub?
Rain - New Old School Dub runs at 125 BPM, a club-tempo track.
What mixes well with Rain - New Old School Dub?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Rain - New Old School Dub good for peak time?
With energy 83 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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