You Got Me Dancing (feat. Audrey Wheeler & Cindy Mizelle) by Louie Vega cover art

You Got Me Dancing (feat. Audrey Wheeler & Cindy Mizelle)

Louie Vega

Key
7B · F major
BPM
125
Open Key
12d
Energy
83/100
Pop
18/100
Length
6:00
Released
2022
Album
Expansions In The NYC
Genre
House
Loudness
-9.7 dB
ISRC
USNRS2241778

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 125 BPM in F major (7B), You Got Me Dancing (feat. Audrey Wheeler & Cindy Mizelle) is a club-tempo house production. The feel is bright and euphoric. It is vocal-led. Better known than 92% of Louie Vega's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 85% of Louie Vega's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood72Bright
Groove70
Acoustic0
Instrumental5
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is You Got Me Dancing (feat. Audrey Wheeler & Cindy Mizelle) in?

You Got Me Dancing (feat. Audrey Wheeler & Cindy Mizelle) by Louie Vega is in F major, or 7B on the Camelot wheel.

What BPM is You Got Me Dancing (feat. Audrey Wheeler & Cindy Mizelle)?

You Got Me Dancing (feat. Audrey Wheeler & Cindy Mizelle) runs at 125 BPM, a club-tempo track.

What mixes well with You Got Me Dancing (feat. Audrey Wheeler & Cindy Mizelle)?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is You Got Me Dancing (feat. Audrey Wheeler & Cindy Mizelle) good for peak time?

With energy 83 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 125 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More house

More from Louie Vega

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.