I Got That Feelin' - Deep Mix (Kerri Chandler Remaster)
- Key
- 9A · E minor
- BPM
- 120
- Open Key
- 2m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 6:56
- Released
- 2017
- Album
- Remastered
- Genre
- Deep House
- Loudness
- -10.8 dB
- ISRC
- GBBXG1700060
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Got That Feelin' - Demuir's Playboi Dub Editversion9B · 127
- I Got That Feelin' - Demuir's Playboi Editversion9B · 127
- I Got That Feelin' - Kerri's Dub Re-Editversion3B · 120
- I Got That Feelin' - Demuir's Acoustic Mixoriginal9B · 127
- I Got That Feelin' - Demuir's Acoustic Dubversion9B · 127
A club-tempo deep house cut, I Got That Feelin' - Deep Mix (Kerri Chandler Remaster) sits in E minor (9A) at 120 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 97% of Kerri Chandler's catalogue
- Brightness:
- darker than 95% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Got That Feelin' - Deep Mix (Kerri Chandler Remaster) in?
I Got That Feelin' - Deep Mix (Kerri Chandler Remaster) by Kerri Chandler is in E minor, or 9A on the Camelot wheel.
What BPM is I Got That Feelin' - Deep Mix (Kerri Chandler Remaster)?
I Got That Feelin' - Deep Mix (Kerri Chandler Remaster) runs at 120 BPM, a club-tempo track.
What mixes well with I Got That Feelin' - Deep Mix (Kerri Chandler Remaster)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is I Got That Feelin' - Deep Mix (Kerri Chandler Remaster) good for peak time?
With energy 75 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 120 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.