Hey Hey (DF’s Attention vocal mix)
30s preview
- BPM
- 120
- Open Key
- 9d
- Energy
- 75/100
- Pop
- 17/100
- Length
- 7:23
- Released
- 2009
- Genre
- House
- Loudness
- -5.8 dB
- Dynamics
- 9.8 dB
- ISRC
- GBCPZ2322735
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in A♭ major (4B), Hey Hey (DF’s Attention vocal mix) is a club-tempo house production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. Vocals read as voice. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2009 production that still circulates in sets. Slower than 98% of Dennis Ferrer's catalogue. For programming, treat it as a floor-filler.
- Reach:
- better known than 85% of Dennis Ferrer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Hey Hey (DF’s Attention vocal mix) in?
Hey Hey (DF’s Attention vocal mix) by Dennis Ferrer is in A♭ major, or 4B on the Camelot wheel.
What BPM is Hey Hey (DF’s Attention vocal mix)?
Hey Hey (DF’s Attention vocal mix) runs at 120 BPM, a club-tempo track.
What mixes well with Hey Hey (DF’s Attention vocal mix)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Hey Hey (DF’s Attention vocal mix) good for peak time?
With energy 75 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
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How to mix it
In 4B at 120 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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