I Got That Feelin' - Demuir's Acoustic Mix
30s preview
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 88/100
- Pop
- 3/100
- Length
- 7:08
- Released
- 2024
- Album
- I Got That Feelin' (Demuir & Kerri Chandler Edits)
- Genre
- Deep House
- Loudness
- -6.2 dB
- Dynamics
- 14.2 dB
- ISRC
- GBKQU2483752
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Got That Feelin' - Demuir's Playboi Dub Editversion9B · 127
- I Got That Feelin' - Demuir's Playboi Editversion9B · 127
- I Got That Feelin' - Kerri's Dub Re-Editversion3B · 120
- I Got That Feelin' - Demuir's Acoustic Dubversion9B · 127
- I Got That Feelin' - Deep Mix (Kerri Chandler Remaster)original9A · 120
Against the original (9A at 120 BPM), this version runs 7 BPM faster and moves the key from 9A to 9B.
A peak-time tempo deep house cut, I Got That Feelin' - Demuir's Acoustic Mix sits in G major (9B) at 127 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Faster than 90% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 89% of Kerri Chandler's catalogue
- Low end:
- more treble-tilted than 82% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is I Got That Feelin' - Demuir's Acoustic Mix in?
I Got That Feelin' - Demuir's Acoustic Mix by Kerri Chandler is in G major, or 9B on the Camelot wheel.
What BPM is I Got That Feelin' - Demuir's Acoustic Mix?
I Got That Feelin' - Demuir's Acoustic Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with I Got That Feelin' - Demuir's Acoustic Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is I Got That Feelin' - Demuir's Acoustic Mix good for peak time?
With energy 88 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.