Goodies
- Key
- 4A · F minor
- BPM
- 127
- Open Key
- 9m
- Energy
- 89/100
- Pop
- 0/100
- Length
- 2:56
- Released
- 2022
- Genre
- House
- Loudness
- -6.6 dB
- ISRC
- GBPQS2100250
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in F minor (4A), Goodies is a peak-time tempo house production. The groove is strong and floor-ready. It is vocal-led. More underground than 99% of Kevin McKay's catalogue.
- Groove:
- groovier than 88% of Kevin McKay's catalogue
- Brightness:
- darker than 84% of Kevin McKay's catalogue
- Tempo:
- faster than 81% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Goodies in?
Goodies by Kevin McKay is in F minor, or 4A on the Camelot wheel.
What BPM is Goodies?
Goodies runs at 127 BPM, a peak-time tempo track.
What mixes well with Goodies?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Goodies good for peak time?
With energy 89 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 127 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Kevin McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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