Baby, We're Ascending
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 4d
- Energy
- 81/100
- Pop
- 23/100
- Length
- 6:27
- Released
- 2022
- Genre
- Electro
- Loudness
- -7.9 dB
- Dynamics
- 16.6 dB
- ISRC
- GBR8R2100389
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Baby, We're Ascending - Editversion11B · 140
At 140 BPM in A major (11B), Baby, We're Ascending is a driving up-tempo electro production. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The timbre leans dark. The master keeps unusual dynamic range for club music (crest 17 dB). More treble-tilted than 93% of Jon Hopkins's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 92% of Jon Hopkins's catalogue
- Tempo:
- faster than 84% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Baby, We're Ascending in?
Baby, We're Ascending by Jon Hopkins is in A major, or 11B on the Camelot wheel.
What BPM is Baby, We're Ascending?
Baby, We're Ascending runs at 140 BPM, a driving up-tempo track.
What mixes well with Baby, We're Ascending?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Baby, We're Ascending good for peak time?
With energy 81 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 140 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More electro
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
