Hold On to Me by Jody 6 cover art

Hold On to Me

Jody 6

30s preview

Key
8A · A minor
BPM
140
Half-time
70
Open Key
1m
Energy
100/100
Pop
11/100
Length
3:26
Released
2021
Genre
Trance
Label
Nocturnal Knights Music
Loudness
-4.9 dB
Dynamics
11.2 dB
ISRC
NLD682004637

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A driving up-tempo trance cut, Hold On to Me sits in A minor (8A) at 140 BPM. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Less groove-driven than 99% of Jody 6's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 86% of Jody 6's catalogue
Low end:
more treble-tilted than 86% of Jody 6's catalogue
Brightness:
darker than 85% of Jody 6's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood6Dark
Groove23
Acoustic0
Instrumental32
Live57
Speech31

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Hold On to Me in?

Hold On to Me by Jody 6 is in A minor, or 8A on the Camelot wheel.

What BPM is Hold On to Me?

Hold On to Me runs at 140 BPM, a driving up-tempo track.

What mixes well with Hold On to Me?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Hold On to Me good for peak time?

With energy 100 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#Track

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 140 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 100/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

More trance

More from Jody 6

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track