Drops - Radio Edit
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 9d
- Energy
- 100/100
- Pop
- 4/100
- Length
- 3:21
- Released
- 2021
- Album
- Drops
- Genre
- Trance
- Label
- High Voltage Recordings
- Loudness
- -6.3 dB
- Dynamics
- 16.8 dB
- ISRC
- CA5KR2137705
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Drops - Extendedversion8B · 140
Drops - Radio Edit runs 140 BPM in A♭ major (4B), a driving up-tempo trance record. It reads as dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). Less groove-driven than 98% of Jody 6's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 94% of Jody 6's catalogue
- Energy:
- hotter than 81% of Jody 6's catalogue
- Reach:
- better known than 78% of Jody 6's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Drops - Radio Edit in?
Drops - Radio Edit by Jody 6 is in A♭ major, or 4B on the Camelot wheel.
What BPM is Drops - Radio Edit?
Drops - Radio Edit runs at 140 BPM, a driving up-tempo track.
What mixes well with Drops - Radio Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Drops - Radio Edit good for peak time?
With energy 100 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 140 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Jody 6
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
