Little Helper 300-5
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 56/100
- Pop
- 1/100
- Length
- 7:12
- Released
- 2017
- Album
- Little Helpers 300
- Genre
- Tech House
- Label
- Little Helpers
- Loudness
- -9.0 dB
- Dynamics
- 9.6 dB
- ISRC
- USPRL1700276
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Little Helper 300-1original3B · 124
- Little Helper 300-2original3A · 124
- Little Helper 300-4original11A · 125
- Little Helper 300-6original8B · 126
- Little Helper 300-3original3B · 126
Little Helper 300-5: club-tempo tech house, B minor (10A), 125 BPM. The feel is bright and easy. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Brighter than 78% of Jamie Jones's catalogue. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Little Helper 300-5 in?
Little Helper 300-5 by Jamie Jones is in B minor, or 10A on the Camelot wheel.
What BPM is Little Helper 300-5?
Little Helper 300-5 runs at 125 BPM, a club-tempo track.
What mixes well with Little Helper 300-5?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Little Helper 300-5 good for peak time?
With energy 56 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
