Little Helper 300-4
30s preview
- BPM
- 125
- Open Key
- 4m
- Energy
- 73/100
- Pop
- 1/100
- Length
- 6:42
- Released
- 2017
- Album
- Little Helpers 300
- Genre
- Tech House
- Label
- Little Helpers
- Loudness
- -9.5 dB
- Dynamics
- 11.2 dB
- ISRC
- USPRL1700275
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Little Helper 300-1original3B · 124
- Little Helper 300-2original3A · 124
- Little Helper 300-5original10A · 125
- Little Helper 300-6original8B · 126
- Little Helper 300-3original3B · 126
Little Helper 300-4 is a club-tempo tech house track in F♯ minor (11A) at 125 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2017 production that still circulates in sets. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Little Helper 300-4 in?
Little Helper 300-4 by Jamie Jones is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Little Helper 300-4?
Little Helper 300-4 runs at 125 BPM, a club-tempo track.
What mixes well with Little Helper 300-4?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Little Helper 300-4 good for peak time?
With energy 73 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
