Berlin-Karlsruhe-Express (live version)
30s preview
- BPM
- 125
- Open Key
- 6m
- Energy
- 73/100
- Pop
- 0/100
- Length
- 9:24
- Released
- 2010
- Genre
- House
- Loudness
- -13.1 dB
- Dynamics
- 10.3 dB
- ISRC
- DEEC30900018
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Berlin-Karlsruhe-Express (live version): club-tempo house, A♭ minor (1A), 125 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Henrik Schwarz's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 98% of Henrik Schwarz's catalogue
- Energy:
- hotter than 82% of Henrik Schwarz's catalogue
- Brightness:
- darker than 78% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 11%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Berlin-Karlsruhe-Express (live version) in?
Berlin-Karlsruhe-Express (live version) by Henrik Schwarz is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Berlin-Karlsruhe-Express (live version)?
Berlin-Karlsruhe-Express (live version) runs at 125 BPM, a club-tempo track.
What mixes well with Berlin-Karlsruhe-Express (live version)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Berlin-Karlsruhe-Express (live version) good for peak time?
With energy 73 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
