Wild (Goodboys Remix)
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 95/100
- Pop
- 23/100
- Length
- 3:26
- Released
- 2024
- Album
- Wild (Remixes Vol. 2)
- Genre
- Tech House
- Label
- Stereohype
- Loudness
- -7.2 dB
- Dynamics
- 8.7 dB
- ISRC
- US38Y2414303
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Wild (R3WIRE 'Back To 95' Remix)remix12A · 126
- Wild - Matt Sassari Remixremix9A · 130
- Wildoriginal2B · 130
- Wild (Alex Now (ES) Remix)remix2B · 128
- Wild - Extended Mixversion2B · 130
- Wild - Matt Sassari Extended Remixremix10A · 130
Against the original (2B at 130 BPM), this version runs 2 BPM slower and moves the key from 2B to 11A.
Wild (Goodboys Remix) runs 128 BPM in F♯ minor (11A), a peak-time tempo tech house record. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 99% of James Hype's catalogue.
- Energy:
- hotter than 83% of James Hype's catalogue
- Low end:
- more bass-heavy than 82% of James Hype's catalogue
- Brightness:
- darker than 80% of James Hype's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Wild (Goodboys Remix) in?
Wild (Goodboys Remix) by James Hype is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Wild (Goodboys Remix)?
Wild (Goodboys Remix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Wild (Goodboys Remix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Wild (Goodboys Remix) good for peak time?
With energy 95 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
