New Day by Ida Engberg cover art

30s preview

Key
10B · D major
BPM
144
Half-time
72
Open Key
3d
Energy
96/100
Pop
15/100
Length
6:15
Released
2025
Album
Radiate
Genre
Techno
Label
DCLTD
Loudness
-6.8 dB
Dynamics
9.0 dB
ISRC
GBUR62001071

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

New Day is a driving up-tempo techno track in D major (10B) at 144 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 98% of Ida Engberg's catalogue. In a set it works best as a high-intensity peak cut.

Energy:
hotter than 95% of Ida Engberg's catalogue
Tempo:
faster than 93% of Ida Engberg's catalogue
Brightness:
darker than 78% of Ida Engberg's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood19Dark
Groove53
Acoustic0
Instrumental87
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is New Day in?

New Day by Ida Engberg is in D major, or 10B on the Camelot wheel.

What BPM is New Day?

New Day runs at 144 BPM, a driving up-tempo track.

What mixes well with New Day?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is New Day good for peak time?

With energy 96 out of 100 at 144 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#Track

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 144 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 144 — beatmatch without a big tempo pull.

More techno

#Track

More from Ida Engberg

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track