Ambiguous Relation - Dax J & Chris Stanford Remix
30s preview
- Key
- 5A · C minor
- BPM
- 129
- Open Key
- 10m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 6:00
- Released
- 2013
- Album
- Ambiguous Relation EP
- Genre
- Techno
- Label
- Quant
- Loudness
- -9.7 dB
- Dynamics
- 8.3 dB
- ISRC
- UK5JK1300004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ambiguous Relation - Original Mixoriginal3B · 130
Against the original (3B at 130 BPM), this version runs 1 BPM slower and moves the key from 3B to 5A.
Ambiguous Relation - Dax J & Chris Stanford Remix runs 129 BPM in C minor (5A), a peak-time tempo techno record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More underground than 99% of Héctor Oaks's catalogue.
- Tempo:
- slower than 78% of Héctor Oaks's catalogue
- Brightness:
- brighter than 76% of Héctor Oaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Ambiguous Relation - Dax J & Chris Stanford Remix in?
Ambiguous Relation - Dax J & Chris Stanford Remix by Héctor Oaks is in C minor, or 5A on the Camelot wheel.
What BPM is Ambiguous Relation - Dax J & Chris Stanford Remix?
Ambiguous Relation - Dax J & Chris Stanford Remix runs at 129 BPM, a peak-time tempo track.
What mixes well with Ambiguous Relation - Dax J & Chris Stanford Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Ambiguous Relation - Dax J & Chris Stanford Remix good for peak time?
With energy 90 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 129 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Héctor Oaks
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
