Ambiguous Relation - Original Mix
30s preview
- BPM
- 130
- Open Key
- 8d
- Energy
- 82/100
- Pop
- 2/100
- Length
- 6:15
- Released
- 2013
- Album
- Ambiguous Relation EP
- Genre
- Techno
- Label
- Quant
- Loudness
- -12.1 dB
- Dynamics
- 8.3 dB
- ISRC
- UK5JK1300001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ambiguous Relation - Dax J & Chris Stanford Remixremix5A · 129
Ambiguous Relation - Original Mix is a peak-time tempo techno track in D♭ major (3B) at 130 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Darker than 95% of Héctor Oaks's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 92% of Héctor Oaks's catalogue
- Tempo:
- slower than 75% of Héctor Oaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Ambiguous Relation - Original Mix in?
Ambiguous Relation - Original Mix by Héctor Oaks is in D♭ major, or 3B on the Camelot wheel.
What BPM is Ambiguous Relation - Original Mix?
Ambiguous Relation - Original Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Ambiguous Relation - Original Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Ambiguous Relation - Original Mix good for peak time?
With energy 82 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Héctor Oaks
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
