Turkish Delight - Extended Mix
30s preview
- Key
- 8A · A minor
- BPM
- 130
- Open Key
- 1m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 7:14
- Released
- 2005
- Album
- Turkish Delight
- Genre
- House
- Label
- Nite Grooves
- Loudness
- -7.7 dB
- Dynamics
- 12.5 dB
- ISRC
- USA670500950
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Turkish Delightoriginal8A · 130
- Turkish Delight - Gerber's Palmitos Extended Mixversion10A · 128
- Turkish Delight - Gerber's Palmitos Mixoriginal11B · 128
- Turkish Delight - Volkoder Re-Editversion8A · 130
Against the original (8A at 130 BPM), this version holds the same tempo in the same key.
At 130 BPM in A minor (8A), Turkish Delight - Extended Mix is a peak-time tempo house production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2005 production that still circulates in sets. More underground than 99% of Guy Gerber's catalogue.
- Tempo:
- faster than 93% of Guy Gerber's catalogue
- Low end:
- more treble-tilted than 84% of Guy Gerber's catalogue
- Energy:
- hotter than 81% of Guy Gerber's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Turkish Delight - Extended Mix in?
Turkish Delight - Extended Mix by Guy Gerber is in A minor, or 8A on the Camelot wheel.
What BPM is Turkish Delight - Extended Mix?
Turkish Delight - Extended Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Turkish Delight - Extended Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Turkish Delight - Extended Mix good for peak time?
With energy 82 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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