The Third
- BPM
- 120
- Open Key
- 3d
- Energy
- 64/100
- Pop
- 8/100
- Length
- 5:02
- Released
- 2011
- Genre
- House
- Label
- Not On Label
- Loudness
- -11.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Third is a club-tempo house track in D major (10B) at 120 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. Less groove-driven than 96% of Gui Boratto's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 90% of Gui Boratto's catalogue
- Brightness:
- darker than 88% of Gui Boratto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Third in?
The Third by Gui Boratto is in D major, or 10B on the Camelot wheel.
What BPM is The Third?
The Third runs at 120 BPM, a club-tempo track.
What mixes well with The Third?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is The Third good for peak time?
With energy 64 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Gui Boratto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
