Still Life by Goldie cover art

Still Life

Goldie

30s preview

Key
11A · F♯ minor
BPM
108
Open Key
4m
Energy
79/100
Pop
6/100
Length
6:52
Released
1995
Genre
Drum N Bass
Loudness
-2.1 dB
Dynamics
18.4 dB
ISRC
GBAAP2300036

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Still Life is a mid-tempo drum n bass track in F♯ minor (11A) at 108 BPM. Spoken-word passages run through it. Its spectrum is centred in the low-mids, warm and bass-forward. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 18 dB). A 1995 production that still circulates in sets. More treble-tilted than 99% of Goldie's catalogue.

Groove:
groovier than 98% of Goldie's catalogue
Tempo:
slower than 86% of Goldie's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy79
Mood17Dark
Groove80
Acoustic5
Instrumental33
Live31
Speech34

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
13%
Low
30-130 Hz
37%
Low-mid
130-570 Hz
36%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Still Life in?

Still Life by Goldie is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Still Life?

Still Life runs at 108 BPM, a mid-tempo track.

What mixes well with Still Life?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Still Life good for peak time?

With energy 79 out of 100 at 108 BPM, it works best as a floor-filler.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 108 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 102-114 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 108 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Goldie

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 108 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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