Empty Talk by Phace cover art

Empty Talk

Phace

30s preview

Key
7B · F major
BPM
108
Open Key
12d
Energy
96/100
Pop
3/100
Length
4:18
Released
2015
Genre
Drum N Bass
Loudness
-1.6 dB
Dynamics
10.4 dB
ISRC
DEQ121429959

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Empty Talk: mid-tempo drum n bass, F major (7B), 108 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Slower than 92% of Phace's catalogue. In a set it works best as a mid-set roller.

Brightness:
darker than 77% of Phace's catalogue
Groove:
less groove-driven than 75% of Phace's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood5Dark
Groove52
Acoustic0
Instrumental76
Live39
Speech14

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Empty Talk in?

Empty Talk by Phace is in F major, or 7B on the Camelot wheel.

What BPM is Empty Talk?

Empty Talk runs at 108 BPM, a mid-tempo track.

What mixes well with Empty Talk?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Empty Talk good for peak time?

With energy 96 out of 100 at 108 BPM, it works best as a mid-set roller.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 108 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 102-114 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 108 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Phace

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 108 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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