Judged by Colour, Heard by Sound, Seen by Blind
30s preview
- Key
- 8B · C major
- BPM
- 175
- Half-time
- 88
- Open Key
- 1d
- Energy
- 100/100
- Pop
- 5/100
- Length
- 6:28
- Released
- 1998
- Genre
- Drum N Bass
- Loudness
- -3.6 dB
- Dynamics
- 12.2 dB
- ISRC
- GBAMY9800091
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Judged by Colour, Heard by Sound, Seen by Blind runs 175 BPM in C major (8B), a drum n bass record. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 1998 production that still circulates in sets. Hotter than 99% of Goldie's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- faster than 95% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Judged by Colour, Heard by Sound, Seen by Blind in?
Judged by Colour, Heard by Sound, Seen by Blind by Goldie is in C major, or 8B on the Camelot wheel.
What BPM is Judged by Colour, Heard by Sound, Seen by Blind?
Judged by Colour, Heard by Sound, Seen by Blind runs at 175 BPM.
What mixes well with Judged by Colour, Heard by Sound, Seen by Blind?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Judged by Colour, Heard by Sound, Seen by Blind good for peak time?
With energy 100 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 175 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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