Ghost Ship by S.P.Y cover art

Ghost Ship

S.P.Y

30s preview

Key
8A · A minor
BPM
175
Half-time
88
Open Key
1m
Energy
99/100
Pop
2/100
Length
6:09
Released
2007
Genre
Drum N Bass
Loudness
-4.9 dB
Dynamics
20.0 dB
ISRC
GBCJY0731025

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, Ghost Ship sits in A minor (8A) at 175 BPM. The feel is dark and driving. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 20 dB). A 2007 production that still circulates in sets. Hotter than 86% of S.P.Y's catalogue. In a set it works best as an opener or closing-set piece.

Low end:
more treble-tilted than 77% of S.P.Y's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood28Dark
Groove54
Acoustic0
Instrumental68
Live28
Speech15

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
22%
High
2.5-11 kHz

FAQ

What key is Ghost Ship in?

Ghost Ship by S.P.Y is in A minor, or 8A on the Camelot wheel.

What BPM is Ghost Ship?

Ghost Ship runs at 175 BPM.

What mixes well with Ghost Ship?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Ghost Ship good for peak time?

With energy 99 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 175 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from S.P.Y

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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