Going Deaf - Original Mix
- BPM
- 175
- Half-time
- 88
- Open Key
- 11d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 5:44
- Released
- 2005
- Album
- Going Deaf
- Genre
- Drum N Bass
- Loudness
- -2.9 dB
- ISRC
- GBGPZ0500014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Going Deaf - Original Mix sits in B♭ major (6B) at 175 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2005 production that still circulates in sets. More underground than 99% of DJ Marky's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- hotter than 97% of DJ Marky's catalogue
- Brightness:
- brighter than 92% of DJ Marky's catalogue
- Groove:
- less groove-driven than 85% of DJ Marky's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Going Deaf - Original Mix in?
Going Deaf - Original Mix by DJ Marky is in B♭ major, or 6B on the Camelot wheel.
What BPM is Going Deaf - Original Mix?
Going Deaf - Original Mix runs at 175 BPM.
What mixes well with Going Deaf - Original Mix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Going Deaf - Original Mix good for peak time?
With energy 100 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 175 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from DJ Marky
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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