So Bad by Gesaffelstein cover art
Key
4A · F minor
BPM
92
Double-time
184
Open Key
9m
Energy
35/100
Pop
42/100
Length
3:37
Released
2019
Genre
Dark Ambient
Loudness
-16.3 dB
ISRC
USQX91803316

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 92 BPM in F minor (4A), So Bad is a slow-groove tempo dark ambient production. The feel is brooding and low-slung. The master keeps real dynamic headroom. Darker than 92% of Gesaffelstein's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
better known than 92% of Gesaffelstein's catalogue
Tempo:
slower than 91% of Gesaffelstein's catalogue
Energy:
calmer than 84% of Gesaffelstein's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy35
Mood3Dark
Groove46
Acoustic11
Instrumental21
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is So Bad in?

So Bad by Gesaffelstein is in F minor, or 4A on the Camelot wheel.

What BPM is So Bad?

So Bad runs at 92 BPM, a slow-groove tempo track.

What mixes well with So Bad?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is So Bad good for peak time?

With energy 35 out of 100 at 92 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 92 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 86-98 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 92 — beatmatch without a big tempo pull.

#TrackKey·BPM

More dark ambient

#TrackKey·BPM

More from Gesaffelstein

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 92 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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