Destinations
30s preview
- BPM
- 102
- Open Key
- 8m
- Energy
- 55/100
- Pop
- 44/100
- Length
- 3:37
- Released
- 2013
- Genre
- Electro
- Loudness
- -11.2 dB
- Dynamics
- 6.0 dB
- ISRC
- FRZ111300566
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Destinations: slow-groove tempo electro, B♭ minor (3A), 102 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master is squashed flat, built for loudness (crest 6 dB). A 2013 production that still circulates in sets. Better known than 95% of Gesaffelstein's catalogue.
- Low end:
- more bass-heavy than 95% of Gesaffelstein's catalogue
- Groove:
- groovier than 90% of Gesaffelstein's catalogue
- Tempo:
- slower than 81% of Gesaffelstein's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Destinations in?
Destinations by Gesaffelstein is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Destinations?
Destinations runs at 102 BPM, a slow-groove tempo track.
What mixes well with Destinations?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Destinations good for peak time?
With energy 55 out of 100 at 102 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![The Ladder [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2dc855271f39a7c365d9.webp){kind=small}
How to mix it
In 3A at 102 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 96-108 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 102 — beatmatch without a big tempo pull.
More electro
More from Gesaffelstein
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 102 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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