Kwam
- BPM
- 180
- Half-time
- 90
- Open Key
- 8m
- Energy
- 35/100
- Pop
- 24/100
- Length
- 2:43
- Released
- 2024
- Album
- KWAM
- Genre
- House
- Loudness
- -10.1 dB
- ISRC
- ZAANN2400004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Kwam: house, B♭ minor (3A), 180 BPM. The groove is strong and floor-ready. It is vocal-led. The master keeps real dynamic headroom. Calmer than 98% of Sino Msolo's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- faster than 96% of Sino Msolo's catalogue
- Brightness:
- brighter than 92% of Sino Msolo's catalogue
- Reach:
- better known than 85% of Sino Msolo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Kwam in?
Kwam by Sino Msolo is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Kwam?
Kwam runs at 180 BPM.
What mixes well with Kwam?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Kwam good for peak time?
With energy 35 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 180 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More house
More from Sino Msolo
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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