Until We Meet Again Pt.1
30s preview
- BPM
- 95
- Double-time
- 190
- Open Key
- 4m
- Energy
- 27/100
- Pop
- 2/100
- Length
- 4:33
- Released
- 2018
- Album
- PRJKT-4
- Genre
- Deep House
- Loudness
- -12.1 dB
- Dynamics
- 15.3 dB
- ISRC
- ZAZ251800037
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 95 BPM in F♯ minor (11A), Until We Meet Again Pt.1 is a slow-groove tempo deep house production. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2018 production that still circulates in sets. Calmer than 99% of Fka Mash's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Fka Mash's catalogue
- Low end:
- more treble-tilted than 99% of Fka Mash's catalogue
- Brightness:
- darker than 88% of Fka Mash's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Until We Meet Again Pt.1 in?
Until We Meet Again Pt.1 by Fka Mash is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Until We Meet Again Pt.1?
Until We Meet Again Pt.1 runs at 95 BPM, a slow-groove tempo track.
What mixes well with Until We Meet Again Pt.1?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Until We Meet Again Pt.1 good for peak time?
With energy 27 out of 100 at 95 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 95 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 95 — beatmatch without a big tempo pull.
More deep house
More from Fka Mash
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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