Waiting For Tonight
30s preview
- BPM
- 129
- Open Key
- 8m
- Energy
- 83/100
- Pop
- 4/100
- Length
- 3:18
- Released
- 2024
- Genre
- Tech House
- Label
- Catch And Release
- Loudness
- -4.5 dB
- Dynamics
- 13.6 dB
- ISRC
- USSM12403627
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 129 BPM in B♭ minor (3A), Waiting For Tonight is a peak-time tempo tech house production. Tonally it lands punchy, neutral in mood. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 99% of Fisher's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 78% of Fisher's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Waiting For Tonight in?
Waiting For Tonight by Fisher is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Waiting For Tonight?
Waiting For Tonight runs at 129 BPM, a peak-time tempo track.
What mixes well with Waiting For Tonight?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Waiting For Tonight good for peak time?
With energy 83 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 129 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Fisher
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
