You Got Worked (feat. Mateo Senolia) - Accapella
- BPM
- 121
- Open Key
- 3d
- Energy
- 14/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2017
- Album
- You Got Worked (feat. Mateo Senolia)
- Genre
- Deep House
- Loudness
- -12.9 dB
- ISRC
- GBCPZ1711195
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Got Worked (feat. Mateo Senolia) - CASAMENA Stripped Remixremix10A · 122
- You Got Worked (feat. Mateo Senolia)original10A · 122
- You Got Worked (feat. Mateo Senolia) - Ice Cold Editversion1B · 122
You Got Worked (feat. Mateo Senolia) - Accapella runs 121 BPM in D major (10B), a club-tempo deep house record. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Calmer than 99% of Ezel's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Ezel's catalogue
- Brightness:
- darker than 91% of Ezel's catalogue
- Groove:
- less groove-driven than 89% of Ezel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Got Worked (feat. Mateo Senolia) - Accapella in?
You Got Worked (feat. Mateo Senolia) - Accapella by Ezel is in D major, or 10B on the Camelot wheel.
What BPM is You Got Worked (feat. Mateo Senolia) - Accapella?
You Got Worked (feat. Mateo Senolia) - Accapella runs at 121 BPM, a club-tempo track.
What mixes well with You Got Worked (feat. Mateo Senolia) - Accapella?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is You Got Worked (feat. Mateo Senolia) - Accapella good for peak time?
With energy 14 out of 100 at 121 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 121 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More deep house
More from Ezel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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