Thinking About Yourself
- BPM
- 120
- Open Key
- 6m
- Energy
- 21/100
- Pop
- 0/100
- Length
- 7:30
- Released
- 2013
- Album
- Klassensprecher EP
- Genre
- Deep House
- Loudness
- -14.2 dB
- ISRC
- USA671300216
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Thinking About Yourself runs 120 BPM in A♭ minor (1A), a club-tempo deep house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Calmer than 99% of Madmotormiquel's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Madmotormiquel's catalogue
- Groove:
- groovier than 96% of Madmotormiquel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Thinking About Yourself in?
Thinking About Yourself by Madmotormiquel is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Thinking About Yourself?
Thinking About Yourself runs at 120 BPM, a club-tempo track.
What mixes well with Thinking About Yourself?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Thinking About Yourself good for peak time?
With energy 21 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 120 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Madmotormiquel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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