
Homecoming
30s preview
- BPM
- 120
- Open Key
- 3d
- Energy
- 24/100
- Pop
- 7/100
- Length
- 3:28
- Released
- 2025
- Genre
- Progressive House
- Loudness
- -15.8 dB
- Dynamics
- 14.5 dB
- ISRC
- GBEWA2503331
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in D major (10B), Homecoming is a club-tempo progressive house production. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 93% of Cornelius SA's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 93% of Cornelius SA's catalogue
- Brightness:
- darker than 88% of Cornelius SA's catalogue
- Tempo:
- slower than 86% of Cornelius SA's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Homecoming in?
Homecoming by Cornelius SA is in D major, or 10B on the Camelot wheel.
What BPM is Homecoming?
Homecoming runs at 120 BPM, a club-tempo track.
What mixes well with Homecoming?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Homecoming good for peak time?
With energy 24 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Cornelius SA
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.