You Got Worked (feat. Mateo Senolia) - Ice Cold Edit
- Key
- 1B · B major
- BPM
- 122
- Open Key
- 6d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 7:52
- Released
- 2017
- Album
- You Got Worked (feat. Mateo Senolia)
- Genre
- Deep House
- Loudness
- -8.3 dB
- ISRC
- GBCPZ1711194
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Got Worked (feat. Mateo Senolia) - CASAMENA Stripped Remixremix10A · 122
- You Got Worked (feat. Mateo Senolia)original10A · 122
- You Got Worked (feat. Mateo Senolia) - Accapellaoriginal10B · 121
Against the original (10A at 122 BPM), this version holds the same tempo and moves the key from 10A to 1B.
You Got Worked (feat. Mateo Senolia) - Ice Cold Edit is a club-tempo deep house track in B major (1B) at 122 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2017 production that still circulates in sets. More underground than 99% of Ezel's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 87% of Ezel's catalogue
- Energy:
- hotter than 78% of Ezel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Got Worked (feat. Mateo Senolia) - Ice Cold Edit in?
You Got Worked (feat. Mateo Senolia) - Ice Cold Edit by Ezel is in B major, or 1B on the Camelot wheel.
What BPM is You Got Worked (feat. Mateo Senolia) - Ice Cold Edit?
You Got Worked (feat. Mateo Senolia) - Ice Cold Edit runs at 122 BPM, a club-tempo track.
What mixes well with You Got Worked (feat. Mateo Senolia) - Ice Cold Edit?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is You Got Worked (feat. Mateo Senolia) - Ice Cold Edit good for peak time?
With energy 86 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 122 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Ezel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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