Gold of Gold by Tim Green cover art

Gold of Gold

Tim Green

30s preview

Key
10B · D major
BPM
122
Open Key
3d
Energy
87/100
Pop
21/100
Length
8:24
Released
2023
Genre
Tech House
Loudness
-7.1 dB
Dynamics
15.3 dB
ISRC
QM7282349866

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Gold of Gold is a club-tempo tech house track in D major (10B) at 122 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). Better known than 88% of Tim Green's catalogue. In a set it works best as a floor-filler.

Energy:
hotter than 79% of Tim Green's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood40Balanced
Groove78
Acoustic0
Instrumental93
Live12
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Gold of Gold in?

Gold of Gold by Tim Green is in D major, or 10B on the Camelot wheel.

What BPM is Gold of Gold?

Gold of Gold runs at 122 BPM, a club-tempo track.

What mixes well with Gold of Gold?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Gold of Gold good for peak time?

With energy 87 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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