Equilateral by Michael A cover art

Equilateral

Michael A

30s preview

Key
10A · B minor
BPM
122
Open Key
3m
Energy
86/100
Pop
17/100
Length
7:07
Released
2026
Genre
Progressive House
Loudness
-8.1 dB
Dynamics
10.4 dB
ISRC
GBKQU2614982

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Equilateral runs 122 BPM in B minor (10A), a club-tempo progressive house record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 96% of Michael A's catalogue. In a set it works best as a floor-filler.

Brightness:
darker than 93% of Michael A's catalogue
Low end:
more treble-tilted than 85% of Michael A's catalogue
Energy:
hotter than 82% of Michael A's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood4Dark
Groove78
Acoustic0
Instrumental91
Live3
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Equilateral in?

Equilateral by Michael A is in B minor, or 10A on the Camelot wheel.

What BPM is Equilateral?

Equilateral runs at 122 BPM, a club-tempo track.

What mixes well with Equilateral?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Equilateral good for peak time?

With energy 86 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 122 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More progressive house

More from Michael A

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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