You Got Worked (feat. Mateo Senolia) - CASAMENA Stripped Remix
- BPM
- 122
- Open Key
- 3m
- Energy
- 63/100
- Pop
- 5/100
- Length
- 9:52
- Released
- 2017
- Album
- You Got Worked (feat. Mateo Senolia)
- Genre
- Deep House
- Loudness
- -10.3 dB
- ISRC
- GBCPZ1711197
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Got Worked (feat. Mateo Senolia)original10A · 122
- You Got Worked (feat. Mateo Senolia) - Accapellaoriginal10B · 121
- You Got Worked (feat. Mateo Senolia) - Ice Cold Editversion1B · 122
Against the original (10A at 122 BPM), this version holds the same tempo in the same key.
A club-tempo deep house cut, You Got Worked (feat. Mateo Senolia) - CASAMENA Stripped Remix sits in B minor (10A) at 122 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Groovier than 94% of Ezel's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 87% of Ezel's catalogue
- Reach:
- better known than 84% of Ezel's catalogue
- Energy:
- calmer than 78% of Ezel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Got Worked (feat. Mateo Senolia) - CASAMENA Stripped Remix in?
You Got Worked (feat. Mateo Senolia) - CASAMENA Stripped Remix by Ezel is in B minor, or 10A on the Camelot wheel.
What BPM is You Got Worked (feat. Mateo Senolia) - CASAMENA Stripped Remix?
You Got Worked (feat. Mateo Senolia) - CASAMENA Stripped Remix runs at 122 BPM, a club-tempo track.
What mixes well with You Got Worked (feat. Mateo Senolia) - CASAMENA Stripped Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is You Got Worked (feat. Mateo Senolia) - CASAMENA Stripped Remix good for peak time?
With energy 63 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 122 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Ezel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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