Rock This Town - Lifelike Mix
30s preview
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 61/100
- Pop
- 2/100
- Length
- 7:08
- Released
- 2009
- Album
- Back To Fundamentals By Dimitri From Paris (Presents Electra 80): Rock This Town
- Genre
- Disco
- Loudness
- -7.0 dB
- Dynamics
- 14.8 dB
- ISRC
- FR2PB0700650
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rock This Town - Dj Meme Dubversion10A · 126
- Rock This Town - Original Mixoriginal10A · 126
- Rock This Town - Claude Monnet Reworkremix10A · 126
- Rock This Town - Dj Meme Edit Mixversion10A · 126
- Rock This Town - Dj Meme Mixoriginal10A · 126
- Rock This Town - Claude Monnet Rework Instrumentalremix10A · 126
Rock This Town - Lifelike Mix runs 126 BPM in A minor (8A), a club-tempo disco record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2009 production that still circulates in sets. Calmer than 94% of Dimitri From Paris's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 82% of Dimitri From Paris's catalogue
- Tempo:
- faster than 79% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Rock This Town - Lifelike Mix in?
Rock This Town - Lifelike Mix by Dimitri From Paris is in A minor, or 8A on the Camelot wheel.
What BPM is Rock This Town - Lifelike Mix?
Rock This Town - Lifelike Mix runs at 126 BPM, a club-tempo track.
What mixes well with Rock This Town - Lifelike Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Rock This Town - Lifelike Mix good for peak time?
With energy 61 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More disco
More from Dimitri From Paris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Why I Love You (feat. Ouri & Odile M.) [Dan Only Remix] by CRi cover art](https://i.scdn.co/image/ab67616d00001e02141767f798e2488e47cc6f99){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.