Non mi basti mai by Deborah de Luca cover art

Non mi basti mai

Deborah de Luca

Key
5A · C minor
BPM
150
Half-time
75
Open Key
10m
Energy
94/100
Pop
2/100
Length
2:11
Released
2024
Genre
Techno
Label
Sola_mente Records
Loudness
-4.8 dB
ISRC
DEUD42447049

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast techno cut, Non mi basti mai sits in C minor (5A) at 150 BPM. The master is loud and heavily compressed. Less groove-driven than 99% of Deborah de Luca's catalogue.

Tempo:
faster than 98% of Deborah de Luca's catalogue
Reach:
more underground than 89% of Deborah de Luca's catalogue
Energy:
hotter than 81% of Deborah de Luca's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood19Dark
Groove54
Acoustic1
Instrumental67
Live35
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Non mi basti mai in?

Non mi basti mai by Deborah de Luca is in C minor, or 5A on the Camelot wheel.

What BPM is Non mi basti mai?

Non mi basti mai runs at 150 BPM, a fast track.

What mixes well with Non mi basti mai?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Non mi basti mai good for peak time?

With energy 94 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#Track

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 150 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

#Track

More techno

#Track

More from Deborah de Luca

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track